Puttock, Simon. Little Lost Cowboy. Illus. Caroline Jayne Church. New York: Egmont, 2011. ISBN: 978-1-60684-259-1, $16.99.
Poor Cowboy Coyote—he's had a very rough day and night. No matter how hard he tries and where he goes, he can't find his mother. He "EEKS!" and "SPLASHES!" and tumbles about—all with no luck. Fortunately, he eventually meets a kindly toad who gives him the best advice ever: "Sit tight and wait, and howl your VERY LOUDEST, [and] I'm sure you will be found." And so, Cowboy Coyote cries: "AROO! I'm lost and I'm lonesome" and lists off the mishaps of the day. This time, though, Cowboy Coyote doesn't go anywhere and waits for his mom to arrive.
Little Lost Cowboy has beautiful illustrations and they make the cumulative structure of the story truly enjoyable. A favorite scene is Cowboy Coyote pulling his bedraggled hat and self out of a cold stream. Poor Cowboy Coyote!
As cute as Cowboy Coyote is, the message of Little Lost Cowboy is that ever so important: "Stay put when you're lost and yell until someone finds you." This is an excellent teaching tool—and an enjoyable read!
Reviewed by Stephanie Ashley
A service of the Center for the Study of Children’s Literature at San Diego State University
Showing posts with label 2 and up. Show all posts
Showing posts with label 2 and up. Show all posts
Friday, March 29, 2013
Wednesday, December 19, 2012
THE GOLDEN CHRISTMAS TREE by Jan Wahl
Wahl, Jan. Illus. Leonard Weisgard. The Golden Christmas Tree. New York: Golden Book, 1988. ISBN: 978-0-375-82647-1, $ 8.99. Picture Book
This is a gentle book that quietly celebrates the possibility of peaceful collaboration and joyful celebration.
"All was hushed in the forest for the animals' Christmas. The elephant brought a great fir tree from far away"—and thus, Jan Wahl starts her story of belonging and community where each animal has a special role. Elephant brings the fir tree and cardinal announces its coming. Kindness and compassion appear as "wolf [helps] the red deer" and they are joined by "the badger and a family of foxes—guided by bats who whistle soft carols." In allusions to the Christian Bible, squirrels tell of the first Christmas and, once more, the lion lies down with the lamb.
Back to the forest, however. All the animals contribute to the making of a Christmas tree. Leonard Weisgard ably illustrates the light-hearted playfulness of baby foxes, the befuddled confusion of llamas, and the pride of a tiger as he strings purple bead after purple bead. Monkeys enthusiastically adorn branches with baubles and giraffe arrives to place a star atop the tree. Now it is time, and all the animals of the forest gather together, and it is "hushed in the forest, hushed, hushed, hushed, hushed."
It is that "hushed," golden moment that is far too often absent, and I find myself longing for the silence and peacefulness that ritual provides in the chaos of the holiday season.
Stephanie Ashley
This is a gentle book that quietly celebrates the possibility of peaceful collaboration and joyful celebration.
"All was hushed in the forest for the animals' Christmas. The elephant brought a great fir tree from far away"—and thus, Jan Wahl starts her story of belonging and community where each animal has a special role. Elephant brings the fir tree and cardinal announces its coming. Kindness and compassion appear as "wolf [helps] the red deer" and they are joined by "the badger and a family of foxes—guided by bats who whistle soft carols." In allusions to the Christian Bible, squirrels tell of the first Christmas and, once more, the lion lies down with the lamb.
Back to the forest, however. All the animals contribute to the making of a Christmas tree. Leonard Weisgard ably illustrates the light-hearted playfulness of baby foxes, the befuddled confusion of llamas, and the pride of a tiger as he strings purple bead after purple bead. Monkeys enthusiastically adorn branches with baubles and giraffe arrives to place a star atop the tree. Now it is time, and all the animals of the forest gather together, and it is "hushed in the forest, hushed, hushed, hushed, hushed."
It is that "hushed," golden moment that is far too often absent, and I find myself longing for the silence and peacefulness that ritual provides in the chaos of the holiday season.
Stephanie Ashley
Friday, July 27, 2012
THE NIGHTS OF THE WORLD by Corinne Albaut
Albaut, Corinne. The Nights of the World. Illus. Arno. La Jolla, CA: Kane/Miller, 2005. ISBN: 1-929132-79-4. Interactive Picturebook, Ages 2-5.
I picked this book off the shelves to review because I wanted to give it as a gift to a friend expecting her first child. The book, which takes its reader on a journey through five different regions of the world, is beautifully made, with a thick, sturdy cover, double-thick pages made of cardstock-weight paper, brightly colored art, sliding panels, and simple text that seemed perfect for bedtime read-alouds.
The story introduces the reader to five different children: Kendé, Kamanga, Melisse, Siiku, and Machiko. Each child is featured on a one page spread, with sliding panels on the right-side page that pull out to reveal a secondary picture and text. Each page follows the same pattern: “At night, Kendé falls asleep on a woolen carpet. By day...[pull out picture panels]...he marches through the desert, in step with the camels.” For each new region, the background and font changes to reflect traditional ethnic patterns.
I have two major concens with this book. First, the pages don't mention the actual location of that child. For example, Machiko sleeps on a futon, and by day, lets the wind steal her kite. As an adult, I know the author intended her to be from Japan. But some of the others are more ambiguous. Secondly, I would be concerned that, as young readers get older, this book might reinfornce traditional stereotypes about people in faraway cultures. The seemingly Inuit Siiku, for example, sleeps inside an igloo, hugged by a polar bear. While this makes for a pretty picture, it's not at all the lifestyle of modern Inuit people. In fact, I can't imagine they EVER slept with live polar bears!
That being said, I will still give the book as a baby gift. The pictures are pretty and the pull-out tabs are a great way for young children to interact with a text they can't yet read. It's sturdy enough to withstand the rough play of a baby or toddler. I can easily foresee this being a fun way to create a bedtime “community” of characters – all of whom bunker down at night without a fuss.
Marisa Behan
I picked this book off the shelves to review because I wanted to give it as a gift to a friend expecting her first child. The book, which takes its reader on a journey through five different regions of the world, is beautifully made, with a thick, sturdy cover, double-thick pages made of cardstock-weight paper, brightly colored art, sliding panels, and simple text that seemed perfect for bedtime read-alouds.
The story introduces the reader to five different children: Kendé, Kamanga, Melisse, Siiku, and Machiko. Each child is featured on a one page spread, with sliding panels on the right-side page that pull out to reveal a secondary picture and text. Each page follows the same pattern: “At night, Kendé falls asleep on a woolen carpet. By day...[pull out picture panels]...he marches through the desert, in step with the camels.” For each new region, the background and font changes to reflect traditional ethnic patterns.
I have two major concens with this book. First, the pages don't mention the actual location of that child. For example, Machiko sleeps on a futon, and by day, lets the wind steal her kite. As an adult, I know the author intended her to be from Japan. But some of the others are more ambiguous. Secondly, I would be concerned that, as young readers get older, this book might reinfornce traditional stereotypes about people in faraway cultures. The seemingly Inuit Siiku, for example, sleeps inside an igloo, hugged by a polar bear. While this makes for a pretty picture, it's not at all the lifestyle of modern Inuit people. In fact, I can't imagine they EVER slept with live polar bears!
That being said, I will still give the book as a baby gift. The pictures are pretty and the pull-out tabs are a great way for young children to interact with a text they can't yet read. It's sturdy enough to withstand the rough play of a baby or toddler. I can easily foresee this being a fun way to create a bedtime “community” of characters – all of whom bunker down at night without a fuss.
Marisa Behan
Monday, July 23, 2012
EXCEPT IF by Jim Averbeck
Averbeck, Jim. Except If. New York: Atheneum Books for Young Readers (Simon and Schuster), 2011. ISBN: 9781416995449. $12.99
Ages: 2-6
It all begins with a pale blue egg just starting to crack open. Except If establishes that an egg is not a baby bird, but it will become one, except if it becomes something else. Perhaps the egg will hatch a snake, or perhaps a baby lizard, or maybe even a dinosaur. After this point, the story comes full circle as we imagine that not only might the egg turn into a dinosaur, it might turn into a fossilized dinosaur. This fossilized dinosaur’s jaws eventually form a craggy cliff, which might house a soft nest, which in spring just might hold a pale blue egg, “which will not necessarily become a baby bird—except if it does.”
Jim Averbeck’s book is a playful and colorful diversion into an “except if“ world of imagination. The words “except if” are written in bold letters and fill several alternating pages as the story moves into its next evolution. The illustrations are colorful but not garishly bright. One of my favorite illustrations was the baby lizard scurrying up a wall on sticky feet to eat flies. The most enjoyable illustration, however, is the red little bedraggled bird that shows that a pale blue egg will not necessarily become a baby bird except if it does.
Stephanie Ashley
It all begins with a pale blue egg just starting to crack open. Except If establishes that an egg is not a baby bird, but it will become one, except if it becomes something else. Perhaps the egg will hatch a snake, or perhaps a baby lizard, or maybe even a dinosaur. After this point, the story comes full circle as we imagine that not only might the egg turn into a dinosaur, it might turn into a fossilized dinosaur. This fossilized dinosaur’s jaws eventually form a craggy cliff, which might house a soft nest, which in spring just might hold a pale blue egg, “which will not necessarily become a baby bird—except if it does.”
Jim Averbeck’s book is a playful and colorful diversion into an “except if“ world of imagination. The words “except if” are written in bold letters and fill several alternating pages as the story moves into its next evolution. The illustrations are colorful but not garishly bright. One of my favorite illustrations was the baby lizard scurrying up a wall on sticky feet to eat flies. The most enjoyable illustration, however, is the red little bedraggled bird that shows that a pale blue egg will not necessarily become a baby bird except if it does.
Stephanie Ashley
Sunday, March 18, 2012
EAT LIKE A DINOSAUR by The Paleo Parents
The Paleo Parents. Eat Like a Dinosaur. Illus. Amanda Gates. Las Vegas: Victory Belt
Publishing, 2012. ISBN: 978-1-936608-87-4. $29.95.
The SDSU Center for the Study of Children’s Literature doesn’t often review cookbooks, but when I saw the pre-release notice of this one, I simply couldn’t wait to review it. “Paleo” (ironically) is a fairly new movement, and while there are excellent primer-like books for adults such as Mark Sisson’s The Primal Blueprint, Robb Wolf’s The Paleo Solution, and Loren Cordain’s The Paleo Diet, and excellent adult cookbooks such as Melissa Joulwan’s Well Fed, Haley Mason & Bill Staley’s Make It Paleo, and Julie & Charles Mayfield’s Paleo Comfort Foods, nothing yet written speaks to the specific needs of children. Sarah Fragoso’s Everyday Paleo addresses the challenges of raising a Paleo family, but in a literary manner aimed exclusively at adults.
Finally, the need is met; Paleo kids have a book written with them in mind!
Stacy Toth and Matthew McCarry (“The Paleo Parents”) aim their work at “neither a culinary savant nor a mega-athlete,” but rather at ordinary families trying to eat unprocessed, real food. The subtitle “Recipe & guidebook for gluten-free kids” broadens their audience beyond the Paleosphere to the growing gluten-free world. But make no bones about it, the book follows a strict Paleo regimen: none of the recipes contains any grains, dairy, hydrogenated oils, or legumes - only meat, vegetables, fruit, nuts, seeds, healthy fats, and tubers.
The first thirty pages, “The Boring Chapter for Parents,” give an easy-to-understand explanation of the Paleo diet, but the authors intentionally do not delve into the science. They make very clear that this is not a book about diet. It’s just about “having fun with your kids in the kitchen” while simultaneously eating a healthier diet consistent with our human evolution.
Their explanation stays above the fray of heated Paleo debates with recipes representing their own version of Paleo, but it’s not presented as dogma nor does the reader feel “judged” for his or her own variations on the lifestyle.
The introductory chapter also addresses the challenge of kids who feel “different” because of their family’s food choices, or who are reluctant to change their eating habits at all. The authors’ strategy is to convert kids into wanting this diet for themselves. Toth and McCarry include specific ideas to help with the transition, such as replacing lost favorites with NEW treats and traditions (Pizza Friday becomes “International Food Night” or “Breakfast for Dinner Night”), or giving kids greater ownership of their food by having them help with grocery shopping, preparation, and meal planning. Throughout the book, in fact, small green hand icons indicate steps that children can help with.
I appreciated that the introductory materials established the link between diet and behavior, especially in children. This under-discussed issue strikes a particular chord with me, as I myself struggled with behavior and focus issues in school until the elimination of all cane sugar byproducts gave me a new lease on life and a new shot at school and friendships. Like the authors’ sons, who struggled with ADHD, asthma, eczema, and allergies before switching their diet, the positive changes in my life made me want to never go back to the way I ate before. As a fifth grader, I said with complete honesty that I no longer wanted the treats my friends ate because I never wanted to go back to my life “on sugar.”
After the introduction chapter comes the meat of the book (pun intended), including an illustrated children’s story. Told in the voice of their oldest son Cole, it is a touching retelling of the family’s journey to health and their transition process, both the challenges as well as the fun. They ate like dinosaurs (some ate meat, some ate plants, but none ate pasta or drank juice boxes), visited farms, concocted new foods, and tried foods no one else has heard of! The story puts a positive spin on the process, aided by playful illustrations depicting cartoonish people and dinosaurs reminiscent of 1990s television…the golden era of Barney and animated series like Blue’s Clues, Hey Arnold!, Rugrats, and Rocko’s Modern Life.
Reading through their recipes, I wanted to grocery shop and cook immediately. The instructions are straightforward, and, with the exception of some of the baking recipes, the meals consistently include a reasonable-length ingredient list. The dishes are unique, yet without too many bizarre or “foodie” ingredients. I like their use of spices, such as putting nutmeg on carrots or cumin on asparagus. The text accompanying each recipe is enjoyable, often explaining the dish’s name (such as “Rat on a Stick” or “Roast Beast”) and/or how they came up with the recipe. In addition to creative takes on staple dishes, the recipes include key basics such as bone broth, mayonnaise, applesauce, ketchup, and bbq sauce - all of which are difficult to find in stores without chemicals or unnecessary sugar.
A frank discussion of cost would have been useful: eating a Paleo diet without fillers such as bread, pasta, and rice can be much more expensive than eating the standard American diet, particularly if one tries to replicate “gluten-free alternatives” to baked foods. The authors briefly mention the cost of alternative flours, and the back matter discusses farmers markets and u-pick farms, but the book could use a short section about budgeting.
Despite that, I call this book a triumph. Although I’m not yet a parent myself and can’t speak to its usefulness first-hand, I was a kid who ate “differently.” And I hope to raise my own family with an evolutionarily healthy diet. Kudos to Victory Belt Publishing for fulfilling the need for just such a book. I hope the book sees tremendous success, not only within the Paleo community, but with any family trying to eat more healthfully.
Reviewed by Marisa Behan
Publishing, 2012. ISBN: 978-1-936608-87-4. $29.95.
The SDSU Center for the Study of Children’s Literature doesn’t often review cookbooks, but when I saw the pre-release notice of this one, I simply couldn’t wait to review it. “Paleo” (ironically) is a fairly new movement, and while there are excellent primer-like books for adults such as Mark Sisson’s The Primal Blueprint, Robb Wolf’s The Paleo Solution, and Loren Cordain’s The Paleo Diet, and excellent adult cookbooks such as Melissa Joulwan’s Well Fed, Haley Mason & Bill Staley’s Make It Paleo, and Julie & Charles Mayfield’s Paleo Comfort Foods, nothing yet written speaks to the specific needs of children. Sarah Fragoso’s Everyday Paleo addresses the challenges of raising a Paleo family, but in a literary manner aimed exclusively at adults.
Finally, the need is met; Paleo kids have a book written with them in mind!
Stacy Toth and Matthew McCarry (“The Paleo Parents”) aim their work at “neither a culinary savant nor a mega-athlete,” but rather at ordinary families trying to eat unprocessed, real food. The subtitle “Recipe & guidebook for gluten-free kids” broadens their audience beyond the Paleosphere to the growing gluten-free world. But make no bones about it, the book follows a strict Paleo regimen: none of the recipes contains any grains, dairy, hydrogenated oils, or legumes - only meat, vegetables, fruit, nuts, seeds, healthy fats, and tubers.
The first thirty pages, “The Boring Chapter for Parents,” give an easy-to-understand explanation of the Paleo diet, but the authors intentionally do not delve into the science. They make very clear that this is not a book about diet. It’s just about “having fun with your kids in the kitchen” while simultaneously eating a healthier diet consistent with our human evolution.
Their explanation stays above the fray of heated Paleo debates with recipes representing their own version of Paleo, but it’s not presented as dogma nor does the reader feel “judged” for his or her own variations on the lifestyle.
The introductory chapter also addresses the challenge of kids who feel “different” because of their family’s food choices, or who are reluctant to change their eating habits at all. The authors’ strategy is to convert kids into wanting this diet for themselves. Toth and McCarry include specific ideas to help with the transition, such as replacing lost favorites with NEW treats and traditions (Pizza Friday becomes “International Food Night” or “Breakfast for Dinner Night”), or giving kids greater ownership of their food by having them help with grocery shopping, preparation, and meal planning. Throughout the book, in fact, small green hand icons indicate steps that children can help with.
I appreciated that the introductory materials established the link between diet and behavior, especially in children. This under-discussed issue strikes a particular chord with me, as I myself struggled with behavior and focus issues in school until the elimination of all cane sugar byproducts gave me a new lease on life and a new shot at school and friendships. Like the authors’ sons, who struggled with ADHD, asthma, eczema, and allergies before switching their diet, the positive changes in my life made me want to never go back to the way I ate before. As a fifth grader, I said with complete honesty that I no longer wanted the treats my friends ate because I never wanted to go back to my life “on sugar.”
After the introduction chapter comes the meat of the book (pun intended), including an illustrated children’s story. Told in the voice of their oldest son Cole, it is a touching retelling of the family’s journey to health and their transition process, both the challenges as well as the fun. They ate like dinosaurs (some ate meat, some ate plants, but none ate pasta or drank juice boxes), visited farms, concocted new foods, and tried foods no one else has heard of! The story puts a positive spin on the process, aided by playful illustrations depicting cartoonish people and dinosaurs reminiscent of 1990s television…the golden era of Barney and animated series like Blue’s Clues, Hey Arnold!, Rugrats, and Rocko’s Modern Life.
Reading through their recipes, I wanted to grocery shop and cook immediately. The instructions are straightforward, and, with the exception of some of the baking recipes, the meals consistently include a reasonable-length ingredient list. The dishes are unique, yet without too many bizarre or “foodie” ingredients. I like their use of spices, such as putting nutmeg on carrots or cumin on asparagus. The text accompanying each recipe is enjoyable, often explaining the dish’s name (such as “Rat on a Stick” or “Roast Beast”) and/or how they came up with the recipe. In addition to creative takes on staple dishes, the recipes include key basics such as bone broth, mayonnaise, applesauce, ketchup, and bbq sauce - all of which are difficult to find in stores without chemicals or unnecessary sugar.
A frank discussion of cost would have been useful: eating a Paleo diet without fillers such as bread, pasta, and rice can be much more expensive than eating the standard American diet, particularly if one tries to replicate “gluten-free alternatives” to baked foods. The authors briefly mention the cost of alternative flours, and the back matter discusses farmers markets and u-pick farms, but the book could use a short section about budgeting.
Despite that, I call this book a triumph. Although I’m not yet a parent myself and can’t speak to its usefulness first-hand, I was a kid who ate “differently.” And I hope to raise my own family with an evolutionarily healthy diet. Kudos to Victory Belt Publishing for fulfilling the need for just such a book. I hope the book sees tremendous success, not only within the Paleo community, but with any family trying to eat more healthfully.
Reviewed by Marisa Behan
Monday, February 20, 2012
MOUSE AND LION by Rand and Nancy Burkert
Burkert, Rand. Mouse and Lion. Illus. Nancy Ekholm Burkert. New York: Scholastic, Inc, 2011. $17.95 US $19.95 CAN. ISBN: 978-0-545-10147-9. Picturebook, ages 2-6
Aesop’s fables have delighted children for generations, and Rand and Nancy Burkert have created a rendition of the tale Mouse & Lion worthy of cherishing.
Rand Burkert’s retelling, unlike most traditional versions, places Mouse at the center of the story, since, as he writes in the author’s note, “Mouse clearly performs the lion’s share of the work.” Parents and children who read this story can discuss Mouse’s positive characteristics, such as loyalty, repayment of a debt, honesty, and courage, as well as Lion’s leadership as King, particularly his fairness and openness.
The dust jacket is made from off-white textured paper, and the soft colored pencil color scheme of the illustrations reminds me of classic storybooks. Burkert has set her illustrations in the savannahs of Africa, with its baobob trees and swaying grasses. Truly this is a gorgeous work that belongs in any classic storybook collection.
Marisa Behan
Aesop’s fables have delighted children for generations, and Rand and Nancy Burkert have created a rendition of the tale Mouse & Lion worthy of cherishing.
Rand Burkert’s retelling, unlike most traditional versions, places Mouse at the center of the story, since, as he writes in the author’s note, “Mouse clearly performs the lion’s share of the work.” Parents and children who read this story can discuss Mouse’s positive characteristics, such as loyalty, repayment of a debt, honesty, and courage, as well as Lion’s leadership as King, particularly his fairness and openness.
The dust jacket is made from off-white textured paper, and the soft colored pencil color scheme of the illustrations reminds me of classic storybooks. Burkert has set her illustrations in the savannahs of Africa, with its baobob trees and swaying grasses. Truly this is a gorgeous work that belongs in any classic storybook collection.
Marisa Behan
Thursday, October 27, 2011
Review: I GOT TWO DOGS by John Lithgow
Lithgow, John. I Got Two Dogs. Illus. Robert Neubecker. NY: Simon and Schuster, 2008. ISBN 1-4169-5881-9. $17.99. Includes CD of Lithgow reading (and howling) the story.
John Lithgow is one of the few celebrity authors whose books are truly exceptional; he’d be a children’s author even if he weren’t a star of stage, screen, and TV. With this carefree, yodeling ode to two dogs, Lithgow lauds his tried and true dogs, true friends who’ve indeed tried everything and, though very different, have found the perfect balance between them. Fanny is little, old, and slow, and Blue is mid-size, young, and quick. Nevertheless, they have things in common, for example, “Neither of ‘em ever learned a single trick.” Their owner loves ‘em, that’s clear—and audible-- on the attached CD. I bet Lithgow’s own dogs yodel along when the CD is played in their house.
Neubecker’s exuberant, very funny illustrations pair perfectly with Lithgow’s humor. Double-truck, pastel pages portray the dog duo giving and getting affection, “happy… huggy,” their pink tongues lolling, their endearing doggy eyes usually utterly focused on something like… a sock or a squirrel. Fanny and Blue are the quintessential dogs, “loyal and true ooo ooo ooo,” and readers will love them too ooo ooo.
Alida Allison
John Lithgow is one of the few celebrity authors whose books are truly exceptional; he’d be a children’s author even if he weren’t a star of stage, screen, and TV. With this carefree, yodeling ode to two dogs, Lithgow lauds his tried and true dogs, true friends who’ve indeed tried everything and, though very different, have found the perfect balance between them. Fanny is little, old, and slow, and Blue is mid-size, young, and quick. Nevertheless, they have things in common, for example, “Neither of ‘em ever learned a single trick.” Their owner loves ‘em, that’s clear—and audible-- on the attached CD. I bet Lithgow’s own dogs yodel along when the CD is played in their house.
Neubecker’s exuberant, very funny illustrations pair perfectly with Lithgow’s humor. Double-truck, pastel pages portray the dog duo giving and getting affection, “happy… huggy,” their pink tongues lolling, their endearing doggy eyes usually utterly focused on something like… a sock or a squirrel. Fanny and Blue are the quintessential dogs, “loyal and true ooo ooo ooo,” and readers will love them too ooo ooo.
Alida Allison
Review: MOO, MOO, BROWN COW, HAVE YOU ANY MILK? by Phillis Gershator
Gershator, Phillis. Moo, Moo, Brown Cow, Have You Any Milk? Illus. Giselle Potter. New York: Random House, 2011. ISBN: 978-0-375-86744-6. $16.99.
Phillis Gershator’s wonderful retelling of “Baa, Baa, Black Sheep” nursery rhyme expands this classic into an adorable bedtime tale. The soft, colorful illustrations depict a little boy on a farm asking each of his barnyard friends about the benefits of their gifts. The black sheep, the gray goose, the red hen, the yellow bee, and the brow cow all give the rhyming “yes sir, yes sir…” response to the child’s questions before we follow each of them to their beds, and get a peek into their dreams. Fun surprises like the sheep knitting a blanket and the hen wearing an apron will bring joy to you and your little reader as you revisit this beloved nursery rhyme again and again.
Emily Moore
Phillis Gershator’s wonderful retelling of “Baa, Baa, Black Sheep” nursery rhyme expands this classic into an adorable bedtime tale. The soft, colorful illustrations depict a little boy on a farm asking each of his barnyard friends about the benefits of their gifts. The black sheep, the gray goose, the red hen, the yellow bee, and the brow cow all give the rhyming “yes sir, yes sir…” response to the child’s questions before we follow each of them to their beds, and get a peek into their dreams. Fun surprises like the sheep knitting a blanket and the hen wearing an apron will bring joy to you and your little reader as you revisit this beloved nursery rhyme again and again.
Emily Moore
Tuesday, October 25, 2011
Review: WHAT SHOULD I MAKE? by Nandini Nayar
Nayar, Nandini. What Should I Make? Illus. Proiti Roy. Berkeley: Tricycle Press-Ten Speed Press, 2009. ISBN: 978-1-582-46294-3. $12.99.
Nandini Nayar’s engaging picture book What Should I Make? tells the story of Neeraj, a little boy who engages his imagination while making chapatis with his mother. Neeraj plays with a ball of dough, shaping it into different animals and imagining what they might do. Roy’s warm, colorful illustrations depict each step as Neeraj forms his dough into various creatures, and also give a glimpse into what the little boy sees in his imagination as he crafts each animal. Finally, Neeraj rolls out a delicious chapatti. The book includes a detailed, child-friendly, step-by-step recipe for making chapatis.
This wonderful little story of a child having fun while helping his mother cook will also encourage your little ones to share in imaginative play and cooking.
Emily Moore
Nandini Nayar’s engaging picture book What Should I Make? tells the story of Neeraj, a little boy who engages his imagination while making chapatis with his mother. Neeraj plays with a ball of dough, shaping it into different animals and imagining what they might do. Roy’s warm, colorful illustrations depict each step as Neeraj forms his dough into various creatures, and also give a glimpse into what the little boy sees in his imagination as he crafts each animal. Finally, Neeraj rolls out a delicious chapatti. The book includes a detailed, child-friendly, step-by-step recipe for making chapatis.
This wonderful little story of a child having fun while helping his mother cook will also encourage your little ones to share in imaginative play and cooking.
Emily Moore
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